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Fan de los estampados variados, la mezcla de texturas y los colores tierra. The piece places these current narratives in dialogue with Robert Flaherty's Louisiana Story regarding the relationship between the petroleum industry and human and ecosystem wellbeing and considers how a documentary project can contribute to citizen activism demanding stronger pollution regulation. The top diptych depicts Infinite Structures in use, an app that we co-created and produced with artists Raphaele Shirley and Liubo Borissov in How Did I Get Here? Watch the five-part animation here:
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